Author writing with a quill in a grand candlelit UK library
❦ Bespoke Ebook Publishing ❦

Your Manuscript,
Bound in Heritage.

An old world publishing house for the digital age. We compose, edit, illustrate and place ebooks with the care of a nineteenth century atelier.

The Archive

Every genre finds a shelf.

From gothic mystery to Regency romance, epic fantasy to poetic memoir, we publish the storytellers of every era.

Vintage engraving representing Poetry
01 Poetry Classical
Vintage engraving representing Mystery
02 Mystery Gothic
Vintage engraving representing Romance
03 Romance Regency
Vintage engraving representing History
04 History Nautical
Vintage engraving representing Fantasy
05 Fantasy Bestiary
Vintage engraving representing Memoir
06 Memoir Scholarly
Vintage engraving of a writing desk with quill, inkwell, candle and stacked leather books

Plate I: The Writing Desk

Bloomsbury Atelier · MDCCCXLII

Our Philosophy

A book is a physical relic of a digital mind.

WordsWorth Publishers was built on a simple belief: the migration of literature to the screen should not be a departure from dignity. Every manuscript we handle receives the archival reverence once reserved for the great cloth bound editions.

We take our name from William Wordsworth, a poet whose words survived two centuries of technological upheaval. That is the standard we hold for every ebook that leaves our press.

228
Years of literary heritage upheld in every commission.
1,400+
Manuscripts pressed, bound and distributed worldwide.
42
Languages our catalogues have reached, from Reykjavík to Kyoto.
97%
Of our authors return for their second and third editions.

Edwin Hollis

Editor in Chief · Fifth Custodian of the Imprint

EH
They did not simply upload my manuscript to the marketplace. They composed it, dressed it in cloth, and set it upon a shelf. My novel finally reads the way it always sounded in my head.
JT
Julian Thorne · Author of The Silent Fens
Every proof arrived by post, corrected in a hand I could trust. They treated my little volume of verse as though it were bound for a museum shelf, not a marketplace.
MW
Marianne Whitcombe · Author of Fenland Elegies
The typesetting alone was worth the commission: old style figures, true drop caps, a colophon. My readers write to say the book simply feels older and finer than anything else on their shelf.
AC
Alistair Crane · Author of The Cartographer’s Widow
The Atelier

From manuscript to first edition, in five deliberate acts.

  1. Days 1–14

    The Reading

    Your manuscript arrives at our Bloomsbury reading room. A senior editor reads it end to end: no algorithms, no interns. Within a fortnight you receive a written appraisal.

    The Reading Desk
    Plate I: The Reading Desk
  2. Days 15–21

    The Commission

    We agree the scope of works: developmental notes, copy edit, cover direction, typographic sample. A commission letter is drawn up and countersigned.

    The Wax Seal
    Plate II: The Wax Seal
  3. Weeks 3–8

    The Composition

    Your book is typeset by hand in Garamond or Baskerville. Cover art is directed with a working illustrator. Proofs are pulled and posted for your correction.

    The Composing Room
    Plate III: The Composing Room
  4. Week 9

    The Impression

    Once every widow is banished and every ligature settled, we press the final EPUB, PDF and print ready interiors. A physical proof copy is bound for your archive.

    The Press House
    Plate IV: The Press House
  5. Week 10 onward

    The Publication

    Global placement across Kindle, Apple Books, Kobo, Google Play and library systems. A launch page, press release and 12 month publicity retainer accompany every Library Collection.

    The World Library
    Plate V: The World Library

Every commission is bespoke, quoted in guineas after the reading. There is no menu. There is only your book.

Begin The Reading
Correspondence

Post us your first chapter.